About a decade ago, there was a very active ABC movement among the wine community. ABC stands for Anything But Chardonnay.

The country was awash in rivers of Chardonnay, it was being ordered in bars and restaurants by the glass and bottle in amazing volumes.

The Chardonnay grape produces a juice that, when fermented, yields wine notes of crisp green apple and possible tropical notes like pineapple if cold fermented. Wine made from Chardonnay can seem sour in its tartness.

A secondary fermentation, malolactic fermentation, can transform malic acid notes of tart green apple to lactic acid notes of butter and cream.

Another winemaking method of changing Chardonnay’s flavors is to age the wine in oak barrels instead of holding the juice in stainless steel tanks. The oak barrel can impart notes of oak, toast, clove, caramel, butterscotch, and vanilla on the Chardonnay. Additional, more intense oak flavors are achieved when the Chardonnay is fermented, not just aged, in oak.

I think Kendall-Jackson is largely responsible for the enormous increase in Chardonnay’s popularity.

Kendall-Jackson sourced Chardonnay grapes from all over California, and ran all of the juice through malolactic and held the wine in oak barrels. The result was a buttery wine of oak, toast, cream and vanilla. Kendall-Jackson sold so much wine that other wineries were making Kendal-Jackson Chardonnay through custom crush relationships, as much as 250,000 cases of a label at a time.

People came to expect all Chardonnays to taste of butter, toast, cream, and vanilla.  Soon, other wineries were hiding the varietal character of Chardonnay, the unique fruit notes, by increasing their use of malolactic fermentation and oak aging.

There was a time when all Chardonnays were boringly the same. Bottles of oak and butter, the fruit nearly gone.

It was said that if you put a rock through malolactic fermentation, held it in oak, and slapped a Kendall-Jackson label on it, it would taste of oak, toast, cream, and vanilla, with very little fruit, and someone would put it in their mouth to find out.

Thus was born the ABC crowd. Anything But Chardonnay, give me something that tastes like grape, varietally correct, Sauvignon Blanc, Semillon, Chenin Blanc, Marsanne, Riesling, Gewurtztraminer, Viognier, Pinot Gris, anything still held in stainless, anything with fruit notes please.

If you have seen the incredible wine movie Sideways, you heard Miles, the main character, pronounce, “If anyone orders Merlot, I’m leaving. I am not drinking any fucking Merlot.”

Like Chardonnay, Merlot is often boring, bland, uninteresting, yet easy to drink with very little varietal character getting in the way. Miles could just as easily have declared, “I am not drinking any fucking Chardonnay,” but it wouldn’t make much sense for Miles to visit Santa Barbara, a big grower of Chardonnay, and complain about the varietal.

Does this mean that I never drink Chardonnay, or that I recommend that you don’t?

No.

The great news is that in the last decade, wineries have decided that malolactic fermentation and oak aging are winemaker tools, but they don’t have to be used fully, or at all, with every Chardonnay.

Chardonnay, which was nearly uniformly boring as everyone chased Kendall-Jackson’s style because of Kendal-Jackson’s sales, is now an exciting wine to taste.

There are now wineries choosing to forego malolactic fermentation with their Chardonnay, and have clear tart green apple notes in their releases. Other wineries are choosing to put only a portion of their Chardonnay juice through malolactic and blending it with juice that hasn’t been put through this secondary fermentation.

Similarly, some wineries are holding their fruit in stainless steel tanks instead of oak barrels and allowing the fruit free rein. Other wineries hold some of their juice in stainless and some in oak and blend the juices to have notes of fruit and oak.

With blends possible ranging from no malolactic or oak to 100% malolactic and oak, the possible winemaking choices are nearly infinite. Winemakers are using these tools in different percentages and making wines that are unique, even exciting.

Imagine, as an example, visiting a tasting room and finding a Chardonnay where one third of the juice was fermented in oak, two thirds in stainless. Of the two thirds fermented in stainless; one third was aged in new french oak, one third was held in new american oak, one sixth in one year old American oak, and the remaining sixth was aged in stainless. Sixty percent of the juice underwent malolactic fermentation. Complex. Unique.

Chardonnay, once boring, predictable, is now a fun wine to taste. With winemakers using the tools I’ve talked about, and many others, differently, the finished wine is often a surprise. To me that makes wine tasting Chardonnays much more enjoyable.

One of the most useful tools I have experienced as a wine guy is a wine aroma and bouquet nosing exercise.

When talking about how a wine smells, wine folk break down the scents into two main parts – aroma and bouquet.

Aroma refers to the scents that come from the varietal grape used to make the wine and are often fruit or floral in nature; blackberry, raspberry, cherry, apple, pear, rose, and honeysuckle are all examples of aroma.

Bouquet refers to the scents that come from winemaking choices. Put grape juice in oak barrels instead of stainless steel tanks, put the wine through a second fermentation called malolactic – changing tart apple flavors to round buttery flavors – and the wine you produce may have notes of oak, toast, cream and vanilla, these are examples of bouquet.

Together aroma and bouquet are described as a wine’s nose, as in “that ’97 Cabernet is holding up just fine, it still has a great nose of deep rich blackberry and current, with a little rose and eucalyptus, served up in an oaken bowl.”

While at Windsor Vineyards, I worked with and for a good friend Mary Jean Dubé. Mary Jean used to put on a nosing exercise regularly. She would task several people with a few notes each, and on the day of the tasting she would collect raw ingredient samples from each of the people she had asked to help. Mary Jean would end up with about 40 different aroma and bouquet scent samples; lemon, fresh cut grass, vanilla, butterscotch, rose petal, pepper, and so on.

Mary Jean would pour about 4 ounces of base wine in a 16 ounce glass; the wines couldn’t have much varietal character of their own as that would interfere with the exercise. Gallo hearty Burgundy and Chablis served well, they were red and white, they were made from grapes, they had alcohol, they were wine; but they were almost aroma and bouquet free. They each smelled like wine, and that’s about it.

With 20 4 ounce pours of red wine and another 20 4 ounce pours of white wine in front of her, Mary Jean would start adding a bit of a sample scent to each glass; different red wine glasses would get some blackberry, cherry, oak, tobacco or pepper scenting ingredients while different white wine glasses might get a supplement of apple, apricot, butter, hay, or violet. Putting a petri dish on each 16 ounce glass to act as an aroma/bouquet lid, and the name of the scent in the glass on a 3″ x 5″ card placed answer down under the glass, the exercise would be ready for any and all to test their noses at nosing wine’s noses.

I took part in the exercise at least a half dozen times and loved it every time. It is always good to sharpen and test your senses, find out your weaknesses, and work to become a better wine noser/taster – at least it is if your are working in a professional capacity within the industry.

Le Nez du Vin and other aroma and bouquet nosing kits are commercially available to make nosing exercises easier to put on. A variety of aroma and bouquet essences are available in a collection of bottles within a kit; kind of like a chemistry set’s collection of chemicals.

Visiting some Oregon wineries a couple of months ago, Nancy Iannios reminded me of the existence of the UC Davis Wine Aroma Wheel by Ann Noble. I had a friend who likes wine, but isn’t “into” wine, that was going to visit wine country and wanted to spend a week together learning about wine. The wine aroma wheel is the best simple tool to help someone begin to find the magic that is wine tasting.

Essentially, the wheel helps you figure out what you are smelling, breaking down into 12 separate categories that are then further broken down into sub categories. An aroma might be defined as fruity as opposed to woody. Looking at the fruity section of the wheel, the scent might be further defined as berry as opposed to citrus or tropical fruit. Within the berry fruits, the scent might be further defined as strawberry as opposed to any of the other berry fruits. The strawberry smell was always there, you were smelling it, you either didn’t know you were smelling it or couldn’t precisely identify it. The aroma wheel helps you identify the different aroma and bouquet notes in the glass of wine you have in front of you.

ZAP, Zinfandel Advocates and Producers, have a Zinfandel specific aroma wheel.

Alder Yarrow has a downloadable aroma card here on his Vinography.com site available in either color or b&w.

Funniest note you’ll find often in Sauvignon Blanc (also known as Fume Blanc): Cat Pee. If you’ve drank Sauvignon Blanc and enjoyed it, you may be surprised the next time you taste and nose your favorite Fume. Often there, right next to a smell of hay or straw, will be the unmistakable scent of cat pee. Sometimes winemakers blend in up to 25% Semillon in an attempt to disguise the cat pee aroma. It isn’t really off putting. If you liked the wine before, you should still like it – just maybe with some wry amusement or chagrin each time you smell it.

Wine elites waxing poetic over scents of cat pee. The industry can do with a lot less of that and a lot more regular folks who happen to love wine, sharing their love and knowledge through their blogs.

Today, I had to drive from my home in Ukiah to Santa Rosa to pack up and be ready for my 3:45 AM wake up and trip to San Francisco to set up and work the North Beach Festival (of really cool handcrafted art topped Corkers for wine bottles and other not as cool things).

As I have applied for my dream job, and the dream job is being offered by Murphy-Goode Winery, I thought I would pop into the tasting room in downtown Healdsburg for a taste of what was being poured today.

Rather than drive directly to the tasting room, getting off the freeway, US 101, at the last possible moment; I chose to leave the freeway in Geyserville, and drive out Hwy 128 through the Alexander Valley of Sonoma County, taking the long way to Healdsburg.

As I left the little town of Geyserville behind me, along with the freeway, I quickly found myself driving through vineyards. The lushly green canopy of leaves on the trellised vines spreading out on both sides of the turning country road, orange California poppies growing wild on the sides of the road, the earth brown, and the grass on the hillsides dried to nearly the same tan brown color of the earthy dirt roads around and through the vineyards themselves, the green vineyards on the hillsides contrasting green against brown, oak trees brown and full leafy green, white feathery bands of clouds against a sky of baby blue; the beauty of the Alexander Valley so powerful, I am happy that I can take the time to drive a slower road.

The road becomes emptier of cars as I reach the turn off to the Indian casino, River Rock, where all cars but mine turn up the hillside drive to give their money away.

I see vineyard workers in cowboy hats and boots. I worked one summer in the vineyards of Healdsburg. I like my view of the vineyard now much better than my view of countless individual vines then.

I pull over and park across from the Murphy Ranch vineyard at the Sonoma Wine Company Alexander Valley Facility. Once upon a time Murphy-Goode used this facility to make wine and pour them for visitors to their co-located tasting room. No more, a large “CLOSED” sign seems perpetually in place to dissuade visits. While I walked about, remembering past visits to the Murphy-Goode tasting room, remembering the friends I visited here with, and the wines we tasted, lost in fond memories, a truck with two men pulled up beside me near the front door and asked me if they were at Murphy-Goode.

I told them that their memory was either very good, or their information very old. I told the two ballooners (their vanity license plate: BALLOON) that the tasting room was gone from here, but directed them to 20 Matheson in downtown Healdsburg. I felt good. Get my dream job or not, 99% of the applicants could not have been able to help these men, fewer than 1 in 100 would have known that this was the former location of Murphy-Goode so would not have stopped to gather memories. I felt more qualified that ever, there is something very special about local knowledge.

Eventually, I got back in my van and continued generally south toward Healdsburg. At the corner of West Sausal Lane and Alexander Valley Road is the closed and dusty Alexander Valley store. I pray the store reopens after remodeling and site improvements, it is both iconic and a perfect landmark, “turn right at the Alexander Valley store.”

I did make my right turn at the Alexander Valley store, saw two women selling cherries by the side of the road, looked down and saw canoes and sunbathers as I crossed the Russian River, and made my way to Healdsburg Avenue.

At the corner was someone selling cherries, strawberries, and oranges; and a taco truck. In northern California taco trucks are ubiquitous, and many a meal is produced at restaurant quality yet at a low price. I smiled at the sign painted boldly on the side of the truck, “Taqueria Guanajuato,” as I made my turn onto Healdsburg Avenue to drive the final leg of my trip to the Murphy-Goode tasting room.

I am pleased to be able to write about more than the tasting room and the wine. The wines I tasted were more delicious for being in the mood my drive through Murphy-Goode’s past, and mine, put me in.

Upon entering the tasting room, I saw a lap top opened to allow people to view video applications for my dream job, so I cued my application (#1015) for the next lap top fiddler to encounter. I noted the upcoming summer jazz performances that Murphy-Goode was sponsoring. I looked at the Murphy-Goode logo clothing that I will want to wear when I am chosen for “A Really Goode Job.”

I bellied up to the tasting bar and asked to taste the first wine being poured, Murphy-Goode’s 2008 North Coast Sauvignon Blanc, “The Fume.” The wine was crisply delicious, showing an abundance of fruit, tropical, citus, and a hint of pear, with a touch of Sauvignon blanc’s straw and cat pee nose. The fruit was so forward, and the straw and especially the cat pee notes so well hidden that I guessed incorrectly that the wine had some Semillon blended in to help boost the fruit. 1 wine tasted, 1 wine loved, 1 bottle purchased.

Next, I tasted a 2007 Chardonnay made with oak barrels sourced in Minnesota. Huh? Okay, The wine maker David Ready is from Minnesota, and likes to link the winery in ways surprising to Minnesota when possible (Viking horns are part of the company uniform). I was told that the Minnesota oak was smaller grain than typical American oak barrel grain. I remember that there was a time when a trained taster could identify American oak held wines by a dill note imparted, a note absent in French oak held wines. I asked about this note, and whether it occurred in these Minnesota oak held wines. The tasting room gal I asked suggested I taste for myself. I would love to tell you about this wine, but I can’t. Served almost ice cold, I couldn’t break much nose or mouth free from the icy clutches of the cold. I liked what I tasted, but I couldn’t taste enough to write more about this wine. Sad, I was really intrigued by the uniqueness of Minnesota oak, I love different, I love unusual, I love quirky.

The other tasting room pourer, I think his name was Will, and I talked of Murphy-Goode past and present. We both had been around wines and wineries for quite a long time and knew many of the same people. It made our conversation easy. We talked about Jess Jackson buying Murphy-Goode; Tim Murphy passed away in 2001, Dale Goode wanted to transition into retirement, and Jess Jackson believes in keeping everything the same in a hands off “if it ain’t broke, don’t fix it” way, welcoming David Ready Jr. as the winemaker following in his father Dave’s footsteps.

I noted other wineries Jackson had picked up and allowed to continue unchanged, doing what they do best. If you buy a Russian River Valley Pinot Noir artisan winery, you don’t force them to make Sangiovese, or blend Cab into their Pinot, or any other crazy change.

Not sucking up, but Jess Jackson is an icon to me for wine business prowess; up there with Mondavi and the Gallos.

Anyway, next up to tast were a trio of reds.

I started with the 2005 Alexander Valley Snake Eyes (think Reserve) Zinfandel. Oh my God, I think I fell in love with this wine at first nose. I want to marry it, at least get a room and spend the night together. Big, bold, rambly raspberry and black pepper spice for days. Everything promised in the nose, delivered in the mouth. A big mouth feel wine, lots of finish. lots of wine flavor in just a 750 ml bottle. The grapes come from vines of the Ellis ranch which are about 70 years old and you can taste the maturity. This is not your friend’s mom’s white zin; this monster of a Zin, all red, all the time, comes in at a whopping 15.8% alcohol, which is huge; especially as it doesn’t taste hot and thin like some other high alcohol Zinfandels.

Next I tasted the 2004 All In Claret, a Bordeaux style blend, some would call it a Meritage. This wine had a little Petite Verdot, more Merlot, and was mostly Cabernet Sauvignon. Absent in this Claret were Cabernet Franc and Malbec. Supple, delicious, far tamer than the Zinfandel; big, but not scary big. This was a red my friends would love. Filled with Blackberry and currant, with leathery fat cherry. This would be a phenomenal food wine. I would love to drink it with grilled steak. Simple and perfect. Feeling a tiny bit adventurous? Melt a little gorgonzola onto the steak while grilling. The party will be in your mouth.

Finally, I tasted a 2004 Cabernet Sauvignon because of a promised eucalyptus note. it seems the vineyard is planted next to a roadside wind block stand of eucalyptus trees, and the flavors sort of leech their way into the first rows of nearby grape vines. I have tasted a wine that had the same notes for the same reason before, and liked it very much. I liked this wine, a little rough around the edges, but chockablock filled with blackberry and eucalyptus notes. The tasting room pourer, Will (?), poured me a second tasting glass through a Vinturi, a wine aeration device. the 2004 Cabernet was instantly improved. The rough edges I had noted before were smoothed out. I liked the wine more, but loved the Vinturi.

I wanted to buy a bottle of red to go with my Fume purchase. The choice came down to the Zinfandel that I would love the most, or the Claret that my friends would love the most.

My friends are going to have to love giant Zinfandels, or they can drink some really perfect Sauvignon Blanc instead; these are the two wines I chose to buy today.

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